2016 Performance Showcase Information

Everything you need to know about our upcoming Performance Showcase is here!

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When
Saturday December 10, 2016.
Session 1:  Doors at 10:00am for a 10:15am start.
Session 2: Doors at 12:45pm for a 1:00pm start.
Session 3: Doors at 3pm for a 3:15pm start.
Where
The Judith Wright Centre For Contemporary Arts
420 Brunswick St (Cnr Berwick St)
Fortitude Valley

Parking
Find parking and transport information here .

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  • Tickets will go on sale on Monday, November 14.  Tickets are available at the Judith Wright Centre’s website, or by calling the box office on 07 3872 9000.
  • Sessions are separately ticketed with allocated seating.  You will be advised of which session you are performing in during the week of November 7 and will then know which session to purchase tickets for.
  • NOTE:  If you want a family ticket, put a 4 in the Enter # of tickets box when prompted, otherwise the family ticket option does not appear on the next page. If your family has 5 or more, you can enter as appropriate in the other boxes on the next page.
  • The venue requires all guests to have a ticket.  As performers form part of the audience when not on stage, they require a ticket.
  • If you have a child under 6, while admission is free, a complimentary ticket is required.  Please call the box office on 07 3872 9000.

Ticket prices are:

Family (2A, 2C): $54

Full: $19

Child/Concession (6 – 15yrs): $12

Child (5 & under): FREE, ticket required

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We appreciate your cooperation to help us make the event run as smoothly as possible on the day.  Please arrive on time for doors in the session you are playing. Guests, including performers, will not be permitted to enter the auditorium prior to doors.  We are busy until this time with set up and sound check.  Upon entering the performance space, performers are to place their instruments to the side of the stage as directed by staff and immediately find their seat in the audience.  If performers wish to warm up they should do so at home as there will be no opportunity for this on the day.  Latecomers will only be admitted in between acts.  Please respect the instructions given by the ushers.

Performers will be called to the side of the stage a few acts in advance.  When called, please move promptly to the designated area, remain silent and follow directions given by staff.  Once your performance is finished, absorb your applause and immediately return to your seat in the audience.

A substantial and encouraging audience is critical to the performers’ positive experience at the event, so we do appreciate that you stay for the duration of the session and help create the atmosphere we strive for.  While we prefer that people stay for the duration of a session, we appreciate it is not always possible with small children who can become distressed.  If you choose to leave before the end of a session, please do so only between acts so as not to disturb the performance.

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Which session am I playing in?  You will receive a copy of the program during the week of November 7 and you will see which session you are in by referring to the program.  We are not able to grant requests to perform in one session or another.  If you have registered, it is assumed you have made yourself available for the day without restriction.  Anyone wishing to perform in more than 1 act understand they may be required for multiple sessions in which case we will arrange your complimentary tickets for any additional sessions.

What time am I playing?  We cannot answer this question, and it isn’t relevant.  If you are in Session 1, you should arrive by 10am.  If you are in Session 2, you should arrive by 12:45pm.  If you are in Session 3, you should arrive by 3pm.

Do performers need to purchase a ticket?  Yes.  This is because a) they need one as they will be in the audience when not performing; and b) it is fairer this way and it keeps overall ticket prices down.  In previous years, many performers did not bring guests and therefore did not help to contribute to the cost of the event yet benefitted from participating in it.

Is it ok if I am late?  Please try to arrive on time for doors.  Admitting guests into the performance space during the show is disruptive and discourteous to performers.  You also risk missing your performance entirely.

What do I need to bring?  Guitarists:  Only your guitar.  Please ensure it is in tune.  Parents of young children with generic nylon string guitars please note that we normally arrange for enough identical guitars to be at the venue for use.  This saves us needing to tune a large number of instruments.  A staff member will be off stage to tune instruments for children.

Pianists:  Only your sheet music if you need it.  Better that you can perform a piece from memory though.

Can I bring my own amp and effects?  No.  Ensure you discuss effects needs with your teacher in your lessons.  There will be basic effects provided.

Are there rehearsals?  Yes, but only for those that need them.  Typically, rehearsals occur on the weekends leading up to the main event.  If a rehearsal is relevant to you, you will receive details at the earliest possible time.  Rehearsals are not charged for.  Additionally, if performing in a group you will receive the opportunity to have many extra lessons (without charge) in the weeks leading up to the event as we try to coordinate group lessons for your band.

What is my child playing?  Please speak to the teacher.  In the months leading up to the concert we co-ordinate a spreadsheet of repertoire and who is playing what.  Until registrations close we cannot finalise the programme, however your child should have selected or been assigned a piece by late October.

Media Release.  Our media release is in place as we cannot possibly prevent members of the audience from taking photos or video on the day.  However, if you do not wish to have images of you or your child used by us on the website or for other advertising means please just let us know!

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Important Dates

Friday, Oct 7 – Registration Opens

Friday, Oct 21 – Registration Closes

Nov 7 to 11 – Program planned and released

Monday, Nov 14 – Tickets go on sale

Saturday, Nov 19 – Rehearsals (possibly and/or Sunday 20th)

Saturday, Nov 26 – Rehearsals (possibly and/or Sunday 27th)

Saturday, Dec 3 – Rehearsals (possibly and/or Sunday 4th

Saturday Dec 10 – CONCERT DAY

Learning Guitar – A Skills Based Approach

There are lots of different ways to go about learning guitar. At The Guitar Gym, we believe in differentiating based on the needs and wants of each client.  That said, we will more often than not advocate a “skills-based” approach.  It is very important for us to have a clear understanding of your reasons for playing and what you are seeking to accomplish with your guitar if we are to develop an effective program for you.  Our general approach would be to have you acquire the knowledge and develop the skills and techniques for playing the guitar that are relevant to YOUR goals, supplemented by learning songs that YOU want to play. This approach brings with it a number of benefits, regardless of what stage you are at with your guitar playing.  

Starting out with a skills-based approach is excellent for forming a strong foundation. An early focus on skills such as playing chords, reading chord charts and rhythm sets you up to be able to quickly and easily learn lots of songs early on, and cements these skills as a part of your repertoire for you to call on later. Essentially, learning the skills is less about learning songs than it is about learning how to learn to play songs. This is very important for making your home practice more enjoyable, as it allows you to choose any song that you want, whether it’s one you heard on the radio or one you grew up listening to, and have a good go at learning to play it. You already have the skills, it’s just a matter of putting the notes or chords in the right order. This way you can start to tackle your favourite songs at home, and you can use your lesson time for getting into the really hard parts.

Everyone has different tastes in music, and that is totally okay. Your preferences for listening and playing are part of what make you unique, both as a person and as an artist. The kinds of music that you like to listen to and play will come with their own genre-specific quirks, and these quirks most like require specific guitar techniques. Folk and acoustic lovers will need lots of open chords and fingerpicking; blues cats will want 7-chords and improvisation; metalheads will need speed and techniques like economy picking and pinch harmonics. There is no rule that says that you need to learn all of the techniques in existence to play the guitar. Talk to your coach about the kind of music that you like, and that way they can help choose which skills need to be worked on, and which can probably be skipped over – if you want to sound like John Mayer, then you probably don’t need reverse-gallops and dive bombs, but if you’re working on some classic Iron Maiden, then you could probably pass on the fingerpicking for now. By prioritising only the techniques that you need, your development towards your personal guitar goals will be much more efficient. There are no hard-and-fast rules for what you need to be able to do, and if your needs or interests change, your lesson program can change right alongside them. Your lessons are about helping you to become the player that you want to be, so anything that we can do to make them more focussed on your goals is worth considering.

barre chords

When you learn the guitar just by learning songs, it makes it difficult to quantify your development. As you learn more songs, learning songs becomes easier, but how do you gauge whether the next song is easier or harder than the first one? How can you be sure that it’s the best song for the stage you are at? How can you define what you are gaining from learning that song? These questions do not arise when learning guitar via a skills-based approach, especially when you’re with The Guitar Gym. When working on skills in isolation, we can use a variety of time-trial-like activities that equates your proficiency to a number, whether it’s the time it takes to play a certain progression, or how many times you can play it in a minute. Numbers don’t lie. These activities allow you to quantify your improvement by showing you in black and white how much you have improved between sessions and since beginning that technique. It also allows you to compare scores with others at your studio in the spirit of friendly competition and mutual inspiration.
 
Ultimately, there is no right or wrong way to learn the guitar. However, a skills-based approach is the most likely to provide you with the best returns for your time investment, and sets you up with the capability to learn and develop more on your own. Learning how to play the guitar instead of just learning songs empowers you to be able to reach your goals faster and with a more complete and focussed grounding in the aspects of the guitar that are relevant to you. Talk to your coach about what skills you feel you are good at, what could do with a bit of work, and ask if your coach can recommend any new skills for your skill level or area of interest. One of the best things about the guitar is that there’s always more to learn!

8 Tips To Better Guitar Practice

member of the month April 2015, The G

8 Tips To Better Guitar Practice

So, you play the guitar and you want to get better at it. You already go to your lesson every week but you feel as though you could be improving faster.  If only you didn’t find guitar practice to be so boring! When a lot of people think of guitar practice, they immediately think of running scales and exercises for hours on end, and that can be a huge turn-off to the idea. Thankfully, guitar practice doesn’t have to be boring – it can actually be fun!

1. Include technical work, but don’t overdo it

Some people love technical exercises. If you don’t like them much at all, that’s no problem. Do one or two, only do them a couple of times, and do them first. Your guitar practice will be much more effective when there is technical work included, and you’re getting that in and getting it out of the way before you can spend as long as you want on the fun stuff. If you’re stuck for which one to do, have a look at your resources checklist on your journal page and see what you did last and what’s next in line.

2.  Play things you like

Enjoy your guitar practice.  If you really like technical work, play more of it. Play as much of it as you want. If you aren’t so keen on the exercises, get your one or two out of the way and get into playing some songs. Pick songs you like. If the one that you’re currently working on is getting you frustrated, have a bit of a go then move on. Play something from a few weeks ago to keep it fresh. Try learning a song that you’ve heard lately or one that you’ve always liked.

guitar practice

3.  Time trials

Time trials are a hugely underrated part of guitar practice. The best way to build up speed on the guitar is to repeat, and repetition often leads to monotony. Instead of endless metronome practice, try timing yourself. Try to see how quickly you can play all the chords in the phrase that’s bothering you, or see how many times you can switch between two irksome chords in 30 seconds or a minute. Not only can they be a real hoot, but they also give you a means to quantify your improvement.

4.  Don’t force it

There are going to be days where you really just don’t feel like picking up the guitar. There are going to be days where you’ve been at work or school and you’re exhausted and guitar is the last thing on your mind. This is life, and that’s okay. You don’t have to practice every day. If playing the guitar at all today is going to be a huge hassle, then don’t do it. You’ll probably achieve negligible gains, and forcing it too often will breed resentment for the guitar and build up a negative predisposition towards practicing, which will impact your ability to enjoy practicing on your good days.

5.  Play with a friend

Guitar practice is that thing you do by yourself, right? Not necessarily! Practising with a partner can be hugely beneficial, and it can be really enjoyable. Not only can you bounce ideas off each other, but you can compare techniques, discuss possible things to learn in the future, and can even compare scores in time trials. Trying to play songs together isn’t just a good way to build ensemble skills and improve your timing, but it’s also the essence of what music is. The social aspect of music is one of its best qualities, and you can’t really benefit from that without playing with others. If you’re not in a band, then practising with a friend is the best way to do that.

6. Make a video or other recording and share it

Recording yourself is becoming easier and easier as technology improves. You can easily record decent video and passable sound on your phone, and can get a decent quality recording setup for your computer quite cheaply. Making a video or a recording can be a really fun experience. Use whatever means you have available and record yourself playing something. It doesn’t really matter what it is – any song that you can play well enough and want to show off will do. How you record it will depend on how you’re going to share it. Think of it this way – Instagram has a 15-second video limit, so you only need to be able to play it convincingly for that amount of time or less. Set your phone up and have a few tries until you get a long enough clip of you playing it flawlessly, cut the video in Instagram, apply a filter, and there you go. It’s surprising how effective this can be for ironing out little issues in particular parts of songs. You will generally want a certain level of perfection for something that you’re going to share – a level that you might not have had the drive to push for otherwise.

7. Do something else while you’re practising

There are traditionalists who would be absolutely mortified that I would even suggest unfocused guitar practice, but it really isn’t such a bad idea, depending on what you’re practising. Mindlessly practising while you watch TV is highly effective for finger fitness exercises (and is probably more interesting than focusing on them), and also for right hand patterns such as strumming and fingerpicking. In these cases it works so well because the distraction of the TV forces you to program your playing into your subconscious, which will make it easier to automate what you are doing.

8. Don’t feel bad if you miss a session

Didn’t practice much this week? Don’t stress. Just go to your lesson and don’t worry about it. Beating yourself up over not practising every day is a negative mindset, which can build up and eventually lead to you giving up to avoid disappointing yourself. (You should read about this here.) They key to avoiding this is to set realistic practice expectations. Don’t forget that you will continue to improve even if you don’t practice at all outside of your weekly guitar lesson.

You continue to play the guitar because you enjoy it. Practising to achieve improvement on the instrument should play into this, rather than be a downside. Think of guitar practice time as an opportunity to continue enjoying your time on the guitar. If you aren’t having a whole lot of fun when you practice, try out a few of these tips to rekindle the spark and have fun whenever you’re holding the guitar – whether you’re on stage, in a lesson, or practising.

10 Ways To Spice Up Your Guitar Practice

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Bored with practising?

Here’s  10 Ways To Spice Up Your Guitar Practice!

Regular practice is the only thing that is absolutely guaranteed to speed up your progress on the guitar (besides regular lessons, of course). By “practising”, we’re not really referring to just picking up the guitar and having a strum – a proper practice session should be pre-planned and include elements like technical work such as scales or chord exercises, work on challenging material, and also some fun, easy-to-play stuff. The problem some of us have with fully structured practice sessions (or at least covering the “boring” stuff as well as the fun in each session) is that doing all your exercises and plodding through difficult material can feel tedious. This article will show you some ways that you can add some spice to your practising, making it more interesting and giving you some inspiration to perhaps do it more often. Some of them may sound a bit silly, but once you try them, you’ll see how these methods can make a huge different to the way you interact with the guitar and perceive what you are playing.

 

  1. 1. Plan your practice


    If your practice session is not already planned out, then this is where you should start. Planning out your practice streamlines the less enjoyable parts of your practice session and maximises the impact of all segments. Members of The Guitar Gym have it especially well in this department, as you can talk to your coach about using the practice planner in your online journal to plan out your practice time. Usually, it is best to do technical work first, followed by challenging material that you are currently working on, followed by playing some material that you are already familiar with. Of course, your coach will know what best suits your needs and interests and will be able to give you the best advice in regards to your practice plan.

     

  2. 2. Set yourself micro-goals


    This can be applied to any part of your practice routine, and is an excellent way to get some instant gratification into your session. Time-related goals are an easy way to give yourself a measurable target to aim for.  Time yourself playing that exercise that you’re working on. Now do it again, and do it half a second faster. Write down what time you managed. Next time that you practise that exercise, beat it by another half a second. These kinds of challenges give you a convenient way to measure your improvement, while simultaneously giving you that immediate thrill of doing something better than you did before. You don’t need to make things too hard for yourself – remember, they are “micro” goals. You can apply this time-trial type game to anything that you are working on, whether it’s getting to a difficult chord, playing a scale, playing a chord sequence, or playing a certain part of a song.

     

  3. 3. Practice in a different spot


    Where do you normally sit when you practice the guitar? Are you always on the same chair in the same room facing the same direction? Try changing any one of these things. Turn your chair around so that you’re facing a different part of the room. Sit in a different chair. Try moving into a different room, and try different spots in that room. Even though where you are sitting may well have no effect on the way you physically interact with the guitar, there mere fact that you are in different surroundings and can see different things from where you are sitting will make your practice feel different to how it did before. You will also find that different rooms have different acoustic qualities – your guitar may sound completely different to how it does in your usual room. Have a good listen to the differences in the sound – is it better or worse? What do you like or dislike about the sound in the new room? Does it expose any weaknesses or interesting qualities in your playing that you couldn’t hear in your usual place? Moving your practice location is especially effective if you’ve been practicing in the same spot for a long time.

     

  4. DanEvansRipping_posterised4. Change up your technical exercises


    Do you find scales fun and exciting? Even if you did answer “yes” to that question, changing up your technical exercises can add new life to your technical component. There are a number of ways that you can go about it. First up, you can try adding some new scales to your routine. Look up some new modes, or ask your teacher. Some scales have some very interesting tonal characteristics, and hearing some new and more interesting sounds in your scales can make your session more exciting, and also help you to appreciate the character of the scales that you already know. As for those scales you already know, try playing them new ways. Do you always play your scales up and then down? Try playing them in ascending and/or descending threes or fours, or try playing them with a swing feel. Play them upside-down or inside-out. Try this with your finger fitness exercises as well. Try coming up with your own finger fitness exercises – come up with a neat pattern, or one that your brain finds hard to imagine, and try to get it to the same standard as your usual workouts. It’s possible to come up with some pretty wild ideas for these kinds of exercises, and you might even find something that you’ll turn into an original song one day.

     

  5. 5. Practice in front of a mirror


    This may sound a bit ridiculous, but there is actually a number of reasons why it is beneficial to practice in front of the mirror every once in a while. One reason is that you can see the way you are sitting. Use this opportunity to check your posture and make sure that you are sitting the way that you should be. Posture is often something that can slip when you are playing by yourself, since you can’t see what you are doing wrong and your teacher isn’t there to inform you. Being able to see yourself also helps you work on your stage presence. It’s interesting to try and play your material while also making it good to watch. Practicing in front of a mirror will also help you to work on your “guitar face” – you know, that awful face you pull when you’re concentrating really hard. While this doesn’t directly affect your playing, there is a good chance that it will make you more comfortable playing in front of others without having to worry about your guitar face.

     

  6. 6. Play some of your older songs


    Remember those songs that were so hard to play back when you were first starting? The ones that you found ways around playing properly because you weren’t advanced enough at the time? During the “fun” stage of your practice session, try digging out some of the songs that you played when you first started learning. See how much of them you can remember without looking it up. Do some parts seem really easy now when you struggled with them before? Do some chords sound different to how they did before now that your fingers are more capable on the fretboard? How easy you find older material is another good way of gauging how much you’ve improved since you first looked at those songs.

     

  7. 7. Stand upDaniel Mahler_0


    Try playing standing up. Being on your feet does wonders for your stage presence, and it also provides a whole new set of challenges. Spend some time getting your strap set to a height that you find comfortable (ask your teacher for advice, as well), then have a go of some of your technical work or a song that you enjoy playing. Once you get used to the spatial sensation of playing standing up, have some fun with it – take a power stance, walk around the room, jump along to the beat – anything you like. Doing some of your practice standing up will also mean that when you go to play a performance standing up, you won’t suddenly feel as though you can’t play the guitar anymore.

     

  8. 8. Improvise


    Think of all the different scales you know. Instead of doing additional runs of scales that you feel you know well enough, try pulling up a backing track on YouTube that fits some of your scales and use those scales to rip a huge solo. This not only helps you get even more familiar with your scales, but is good for your senses of melody, phrasing and dynamics.

     

  9. 9. Randomize


    Put all the songs that you know how to play in a playlist on your computer or your iPod/MP3 player and put them on shuffle. Play each song as it comes. This works even better if your repertoire covers a couple of contrasting styles. This activity builds on a couple of different skills. As you would expect, this tests how well you have memorised your repertoire, as instantly recalling how to play something requires a level of familiarity with how the song is played. This is especially true if you are taking an improvised solo over the song, as you also need to recall what key the song is in and what chords you are playing over, and what scales, arpeggios and licks work over those chords.  If a song comes up and you can’t remember how to play it, try to work it out as best you can from listening to it. This is great practice for your aural skills, and something you pick up by ear might jog your memory for the rest of it. If not, you get to listen to a song that you like – it’s a win-win!

     

  10. NatandOscar0910. Practice with a partner 


    Music is a social activity, and there’s no reason why it shouldn’t be practiced that way. There’s lots to be gained from having another person to practice with, whether or not they are better than you. You can go through scales and exercises together, provide constructive feedback on weaknesses, discuss approaches to various techniques, or even challenge each other to see who can do certain things faster or more clearly. For a more in-depth discussion of the many benefits of practising and learning in groups, read this article.

Practice is something that has the potential to be a bit boring, but by no means does it have to be. The next time you feel a bit down about your practice, try one or more of these strategies to spice up your practice sessions. Ultimately, you play guitar because you enjoy it, and practicing it shouldn’t be any different.

 

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Registration Form. 2015 Performance Showcase

The 2015 Performance Showcase will be held on Saturday, December 12 at The Judith Wright Centre for Performing Arts.

Please read the information here .

If you wish to perform you must register by submitting the form below.

REGISTRATION CLOSES FRIDAY, OCTOBER 30.

September 2015, Ashgrove: Oliver Duffy

Oliver
Oliver

Axe(s): 1/4″ Valencia

Amp and Effects: na

Favourite Styles: No favourite style as yet. Looking forward to playing Rip Tide one day soon.

Influences: Matt and Mr Thompson at my school. Both play the guitar and I think they are cool!

Favourite Quote: Rock On!

Career Highlights: Getting through my first Prep Cross Country. I ran 500m. A little bit boring but I came 7th.

What do you love about The Guitar Gym?:  I love Matt. We were both born in Emerald and are country boys. He is the best teacher and I love going to my lesson every week.

August 2015, Indooroopilly: Samantha Dowling

Samantha Dowling
Samantha Dowling

Axe(s): Fender FSR Stratocaster (Rustic Ash), Maton Performer (EBG808CL)

Amp and Effects:  Fender Supersonic 22 Amp

Favourite Styles:

– Acoustic Fingerstyle
– 90’s Rock
– R&B
– Old stuff I grew up with…

Influences: Lorde, Jewel, The Corrs, Ed Sheeran, Passenger, Paramore, Foo Fighters, Paul Simon, Florence and the Machine, Sting, Jim Croce, Ingrid Michaelson, Lana Del Rey…. really it’s a never-ending list!

Favourite Quote: “The beautiful thing about learning is nobody can take it away from you.” – B.B. King

Career Highlights:

– Forming a band with other students from Guitar Gym in 2014 (shout out to Chris Deere, Brian Pass and Joey Weber!).
– Guitar Gym concerts 2013 & 2014 (so much fun!).
– Transitioning from just playing covers to writing original songs.

What do you love about The Guitar Gym?:  Until I started at The Guitar Gym I’d made virtually no progress learning guitar (despite having lessons elsewhere and trying to teach myself using YouTube!).

As soon as I had my first lesson with Darren I knew I’d found the right place. Darren knows how to keep me interested/motivated to play while still ensuring I learn music theory as I go! Above all else, it is the high standard of teachers at The Guitar Gym that I value the most.

I also really enjoy the work-shops – especially the song-writing ones 🙂

August 2015, Ashgrove: Trevor Dudgeon

Trevor Dudgeon
Trevor Dudgeon

Axe(s): Livingstone Classical

Amp and Effects: NA

Favourite Styles: country & western, ballads, 50’s

Influences: Roy Clark, Neil Diamond, CHet Atkins

Favourite Quote: A champion? Someone who gets up when they can’t

Career Highlights: Learning my first note at The Guitar Gym

What do you love about The Guitar Gym?:  Atmosphere, attitude & professionalism

July 2015, Indooroopilly: JT Wenham

JT Wenham
JT Wenham

Axe(s): Spongebob 3/4

Amp and Effects:

Favourite Styles: Rock

Influences: Hendrix, Guns ‘N Roses / Slash, Wolfmother, Jack Johnson, Hilltop Hoods, Living Colour, Led Zeppelin, Cloud Control, Stone Temple Pilots, Everything Everything, Gin Wigmore, The Tea Party, Bliss N Eso, Black Eyed Peas

Favourite Quote: Pick on Guitars, Not People!

Career Highlights: Youngest person to fly in a vertical wind tunnel in Australia, Youngest person to do Snuba in Hawaii, Awesome school report last term, Inspired Minecraft Architect, Snorkelling with a Loggerhead Turtle

What do you love about The Guitar Gym?:  My teacher, Macquarie.

Limited Time Offer: Kick-Start Your Guitar Playing With 2 FREE Lessons!

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